![]() ![]() ![]() ![]() The nest stage is zooming way in (up to 400% or more) and adding some texture to the pumpkin's orange shaded layer. Keeping this on a separate layer (for now) will allow me to make adjustments to the edges of the orange layer without accidenatlly painting into "unintended) areas as I have kept the transparency locked for the layer. In this stage, I have added a layer beneath my partially shaded layer to paint the negative spaces near black. The key here is to experiment with the airbrush at various settings and stroke lengths until you feel comfortable with the reactions to your strokes. This can help you from having to go back and change brush properties and hopefully speed up your process. Or pick a longer line and watch the size/opacity change from start to finish. These two settings occur within the overall stroke so you can airbrush perfom some rather cool stuff by limiting the length of each of your strokes.įor example, you can make really short strokes that will be small and light opacity as long as you lift the stylus/finger after a short stroke. The rule above applies to Opacity as well.ģ. If you set the size really small and then really large, the size transition will be fairly abrupt.Ģ. With the airbrush and the ability to change size and opacity settings there are a couple of things to remember.ġ. I will set the size to be smaller depending on how thick areas are within the object and set the opacity maximum level closer to 10%. Next, I will come in with the lighter of the two shades. I will use the second darkest color first and use an airbrush larger than needed but really low opacity (1-3%). From here, I will start using the soft airbrush with darker shades of the base color to define the shapes in the jack-o-latern.įor shading, I typically pick 2 darker shades of my base color and some pure black (so I am working with 3 colors + black). Next, I will lower the opacity on the sketch layer and then lock the layer transparency of my layer with the flat color. ![]()
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